Press

When early music and new music meet at same level: "Memoria" in Dortmund

This requires such an excellent ensemble as the ChorWerk Ruhr, which has given us, under Florian Helgath's prudent management in this concert as part of the Ruhrtriennale, very unusual, exciting and beguiling listening experiences. This is in the machine hall of the coal mine Zollern in Dortmund, where the sound unfolds freely in the room, always remaining tangible despite the enormous dimensions of the building. (…) A fascinating evening.

 

Westdeutsche Zeitung, Martin Schrahn, 29.08.2017

Philip Glass: Opera “Einstein on the beach“: Rich in imagery and powerful time travel in Dortmund

In Dortmund, ChorWerk Ruhr - a choir of young professional singers who have achieved the international top level within in the last years also through their productions for the Ruhrtriennale - was phenomenally secure in intonation and rhythm, and also playful up to audacity. The founder and musical director Florian Helgath also had the musical overall direction and also conducted the small ensemble of wind instruments and keyboards on which Philipp Glass has built his monumental work.

 

Deutschlandfunk Kultur, Ulrike Gondorf, 23.04.2017

ChorWerk Ruhr sang Mendelssohn‘s „Paulus“ intimately and grippingly

With only 36 singers and 46 musicians, Helgath succeeded not only in a romantic, but also a dramatically gripping interpretation of the story of Paulus.(…) ChorWerk Ruhr convinced with a phased staggered sound: soft and homogenously in the choir "Siehe! Wir preisen selig", dancing and swinging and radiant in the fugue "Der Erdkreis ist nun des Herrn".

 

Ruhr Nachrichten, Klaus Stübler, 06.03.2017

The accomplished falling silent of Mozart at the Ruhrtriennale

With his excellent ensemble ChorWerk Ruhr and eight singers of each section,  Florian Helgath has realised Mozart’s Requiem & Georg Friedrich Haas‘ Sieben Klangräume exquisitely. J.S. Bach’s motet Komm, Jesu, komm with an almost weightless choral sound has been interpreted extremely precise (…) Also Ligeti‘s Lux aeterna with its floating, complex areas of sound has been sung admirably clear. Helgath and ChorWerk Ruhr have captivated once again with its supernatural, beautiful pianissimo in Mozart’s Ave verum corpus and the strings of the Bochum Symphony accompanied delicately: Great highlight of an extraordinarily gripping concert.

 

 

Online Musik Magazin, Stefan Schmöe, 05.09.2015

"The magic of unearthly vocals" for the 15th anniversary of ChorWerk Ruhr

The top ensemble combines a special ardency with its already highly acclaimed artistic director Florian Helgath, who developed the voices to a maximum in Mendelssohn’s Psalms scorings. (…) Literally surrounded by four choral groups, the audience could dive into tone spheres with Hans Schanderl’s Gitanjali no. 100 which seemed to have fallen out of the world (...). After 90 minutes of high intensity this concert has truly deserved the title of “finest hour of choral singing”.

 

 

Rhein-Zeitung, Julia Hilgeroth-Buchner, 09.02.2015

 

Bach's "B minor Mass" brilliantly interpretated in Kempen

Florian Helgath, the young chief conductor of ChorWerk Ruhr holds the strings of energy to conduct this special, impressive concert [...] Rarely one has seen such a clearly articulated, so musically phrased polyphony, rarely one witnessed singers that listen to each other that well [...] The incredibly serious nature Helgath is working with, reveals parts of the piece which are usually reserved to musicologists.

 

Rheinische Post, Armin Kaumanns, 05.11.2013

"Memoria" with Florian Helgath and ChorWerk Ruhr at Ruhrtriennale

Florian Helgath's plan to prepare de Victoria's vocal polyphony for the search for the sound of New York's school is astounding.(…) Helgath works in the "Offertorium" at the polyphony of Tomas Luis de Victoria and lets the choir of six voices sound wonderfully changeable. In "Hosianna", quite audible and clear, the moving chant of ChorWerk Ruhr in the motet resumed with the moment of personal grief. In the venue of a factory a reverberation is felt, and in "Absolutio", the choir has a multi-voice ending, which allows the spectrum of the fading sound to swell to a volume which is unimagined. (...)

 

John Cage has named different tones for soprano, alto, tenor and bass without determining the duration in Four 2 (1990). In certain periods of time the singers have to sing as well as to end their sound chord differently. Helgath has placed couples of singers among the audience. Their entries trains the feeling for the spatial feeling of the illusion of the origin of the sound. (…)

 

In Morton Feldman's "Rothko Chapel" (1971), one experiences moments as if the sound is released into the world for the first time. (...) The choir holds a tone which is becoming more and more comprehensive, indeed appears absolute. There is a fine concentration, an expectation.

 

Westfälischer Anzeiger, Achim Lettmann, 27.08.2017

Excellent „Paulus“ with ChorWerk Ruhr and Florian Helgath in Essen

The 36 choristers left nothing to be desired with its powerful and crystalline sound: neither in the clear lines, nor in the differentiated choral expression or the dramatic emphasis “Steinigt ihn!”. Huge accolades in the Philharmonie.

 

ikz-online.de 07.03.2017

Bach/Reger CD with MDR Leipzig Radio Choir: Sonorous on highest level

 

All motets of this CD sound true to the original style and well-balanced. You can almost hear how the tone interplays in every moment with the individual voices. The biggest of our radio choir (with 73 chorists) is surprisingly srteamlined. Just as the tone is one of the strengh of the choir: clear, easy, overtone-rich. [...]
There is no need to mention that everything is just right here: the intonation, the phrasing, the breath, the diction, the homogeneity  ... It is a very successful CD, a recommendation for all friends of choir music!


Kulturradio, Astrid Belschner, 27.09.2016

© ChorWerk Ruhr / Pedro Malinowski
© ChorWerk Ruhr / Pedro Malinowski

First performance of 'Earth Diver' at Ruhrtriennale in Essen

ChorWerk Ruhr sang under the direction of Florian Helgath very well and delicately, and disarmingly clear – while walking around in the hall.

 

Westfalenpost online, 22.09.2016

"The Chirping of the Nightinghale" at Festival Wege durch das Land

An excellent vocal ensemble and a world class recorder player of world class were part of the musical part of the event series "Wege durch das Land". […] How professional and flexible the big choir acted under the direction of Florian Helgath became already obvious in the five romantic songs by Mendelssohn.

 

Neue Westfälische, 08.07.2014